Sunday, February 23, 2020

Tennessee's Partner Essay Example | Topics and Well Written Essays - 250 words

Tennessee's Partner - Essay Example The characters, Tennessee’s Partner and Tennessee were known to be notorious at Sandy Barn, being termed as gamblers and thieves. The vagrant criminal activities of Tennessee involving accosting strangers and stealing weapons and money had finally cost his apprehension and trial. Tennessee’s Partner, as a token of their friendship, tried to bribe the court in exchange for his friend’s freedom. However, despite Tennessee’s Partner’s heroic stance to save his friend, the eventually conviction to death was not prevented. His loyalty to Tennessee was viewed by the townsfolk as exemplary and â€Å"cleared him of any complicity in Tennessee's guilt, and left only a suspicion of his general sanity† (Harte, 1899, last par.). The last discourse attested to Tennessee’s partner’s unstable mental condition believing to see his partner again. The short story, in its vividly written content, manifested the loyalty and fidelity accorded in fri endship despite challenges and unconventional endeavors. Harte has revealed the aesthetic value of standing for one’s friend, especially in times of trials and until the end. Despite the notoriety in character, that being perceived and typecast as criminals, there remains a touch of tenderness and love, a product of a bond of friendship woven through time.

Friday, February 7, 2020

NYPD Stop, Question, and Frisk Policy Term Paper

NYPD Stop, Question, and Frisk Policy - Term Paper Example .. found that the stops were not actually finding or preventing crimes. 97% percent of stops resulted in no conviction at all, although they did still utilize city time and resources to reach those outcomes. â€Å" (Clark, Meredith â€Å"Reports Find 'Stop-and-Frisk' Does Not Cut Crime†). Reports also say that the policy has only served to fuel racial discrimination charges as those stopped are supposedly mostly black and Latino men. A move that according to most, constitutes the violation of a person's constitutional rights. The American public has their right to privacy and has quite strict rules regarding racial discrimination across the country. The New York Stop-and-Frisk policy has chosen to ignore the constitutionally and legally protected rights of the New York citizens in an effort to â€Å"keep peace† within their borders. With an average of 88 percent of â€Å"stop and frisks† resulting in the release of those being stopped without issuing a ticket or resulting in an arrest (â€Å"NY 'Stop and Frisk' Policy Violates Minority Rights, US Constitution - Judge†) , this policy should be seen as nothing but merely a nuisance. Evidence of this constitutional rights violation can be seen in the annals of the New York Attorney General's office as far back as 1999 when it was discovered that â€Å"Black and Latino New Yorkers were stopped at far higher rates than white men and women† (â€Å"NY 'Stop and Frisk' Policy Violates Minority Rights, US Constitution - Judge†). Such acts can be deemed as racial profiling which is a direct violation of the United States Constitution. The Fourth Amendment of the United States Constitution declares that people shall be protected from unreasonable searches. Yet in the state of New York, under the Stop-and-Frisk policy, at least 200,000 stops were made without reasonable suspicion from the year 2002 - 2004. Such a high rate of stops overall makes it quite evident that that there is no crime taking place and that the people being stopped were not in any way acting in a suspicious manner (Hanna, Jason â€Å"Judge Rules NYC's Stop-and-Frisk Policy Unconstitutional; City Vows Appeal). Over the past decade, a total of 5 million stops have occurred involving mostly Black and Hispanic men. The New York Stop-and-Frisk Policy is nothing more than a violation of one's right to privacy according to some people who have been involved in the implementation of the policy. Under the 14th Amendment people, regardless of gender, race, and ethnicity are also protected and given the equal protection of the law (Adelmann, Bob â€Å"Judge Rules New York City's 'Stop and Frisk' Policy Unconstitutional†). This amendment in particular is violated by the stop-and-frisk policy because of the conscious decision of the police force to concentrate their operations on the members of the black, Latino, and Hispanic communities. Due to the existence of the stop-and-frisk policy, New Yorkers are gripped with fear that they can be apprehended on the streets for no apparent reason. It has led people to fear a police state coming into existence in New York City. This is a policy that must be brought to an end because: â€Å"The NYPD's practice of making stops that lack individualized reasonable suspicion has been so pervasive and persistent as to become not only a part of the NYPD's standard operating procedure, but a fact of daily life

Wednesday, January 29, 2020

Chinese Philosophy and Poetry Essay Example for Free

Chinese Philosophy and Poetry Essay Chinese Philosophy and Poetry One of the most prevalent beliefs of the Chinese philosophies is that men are born good. People are naturally good unless they fail to develop their feelings and senses. Confucianism teaches that a lack of knowledge can be the cause to evil. In Poem 238, a woman named Chiang Yuan gave birth to the human race by sacrificing and praying to God. She bore her child easily because she sought after blessings from God. Confucianism teaches that good things will come to those who are good and do good. A. N. Whiteheads quotation of a Cambridge vicar says, For well-conducted people, life presents no problems. The mother in the poem seemed to be well-conducted and therefore she was blessed with a painless, easy childbirth. It says that God gave her ease and blessed her because he was pleased with the sacrifice and prayer. The poem paints a picture of how even the animals protected the baby. This might be because of their view of being born flawless and without evil. This baby was protected by the animals because there was no evil in him. Hou Chi, the baby boy, grew up to be a wise man and continued to be blessed and prospered through his crops and farming. He would be considered to be the superior man because of his moral wisdom and his ability to tell right from wrong. Because he lived by his mothers example and gave sacrifices to God, good things came to him. The power of moral example is strongly shown here. His mother first taught him the importance of sacrifice and prayer and through that, he learned to do the same and show respect and fear God. Another philosophy is the importance of filial piety and reverence. Parents are revered because they give life to their children and sacrifice much for them. The child brought honor to his mother by keeping her religious traditions. God was pleased by his actions and blessed him his entire life. This is a very ideal form of what a man can be like, but it is very unrealistic. If man were actually born good, then evil would not have such a major influence and affect everyday lives.

Tuesday, January 21, 2020

The Effects of Losing Rainforest :: essays research papers

  Ã‚  Ã‚  Ã‚  Ã‚  According to the article satellite images reflect that the Amazon rainforest is diminishing at an enormous rate. About 10,000 square miles of this beautiful forest is being lost to pastures for grazing, soybean plantations, and illegal logging. Since the year before there has been a forty percent increase in the deforestation of the Amazon forest. The Amazon is the world’s largest tropical rainforest. They expect this horrible trend to only become worse. Some conclude that if the forest is not protected that it will be wiped out in only eighty years!   Ã‚  Ã‚  Ã‚  Ã‚  The destruction of our earth’s rainforest is very depressing. Last semester I took Ecol 1000 and this class deals with all of the horrible things humans do to our planet. I didn’t realize that the rainforests were being destroyed at such a dramatic pace. People use a technique called â€Å"slash and burn† which enables them to clear plots in order for cattle or for other agricultural purposes. The rainforest provides a habitat for a wide array of species. This is not fair for people to go in and take over there homes. The destruction of the rainforests has intense adverse affects on lots of differing things. Rainforest not only house a great number of species of insects and trees but it also holds cures for diseases. The destruction of the rainforest has not really been proven how it will affect us because there is so much information to be gathered. We do not know all of the consequences that we will endure once all of the trees are gone and all of the wild life has been destroyed.   Ã‚  Ã‚  Ã‚  Ã‚  It is scary to think about the consequences we may suffer. Once all of these magnificent forests are gone the green house gas levels will increase and we also don’t know all of the harmful effects that this may cause. We need to do everything possible to develop a way to better manage the destruction of our rainforest before it is to late!   Ã‚  Ã‚  Ã‚  Ã‚   Summary   Ã‚  Ã‚  Ã‚  Ã‚  As our population grows every year, we lose very valuable resources. People are continuously reducing the biodiversity of our planet. The loss of biodiversity with our tropical rainforests, oceans, and lakes are very harmful and unpredictable.  Ã‚  Ã‚  Ã‚  Ã‚     Ã‚  Ã‚  Ã‚  Ã‚  Rainforest are so rich with various species that it is highly doubtful that we will ever encounter them all. Rainforest are being destroyed by developing nations in order for homes, agriculture, and other various reasons.

Sunday, January 12, 2020

Case Analysis: the Early Bird †Electric Power Load Despatching

Case Analysis: The Early Bird – Electric Power Load Despatching The Early Bird – Electric Power Load Dispatching Electric utility firms have, for more than two decades, used marginal productmarginal cost concepts to generate and dispatch electric power in a more efficient, lowercost manner. Southern Company, the nation’s third largest utility, refers to its load dispatching method as the â€Å"Early Bird† system. Southern’s Early Bird is designed to provide automatic, computerized control of all the company’s power production and transmission facilities. The Early Bird continuously calculates the marginal cost of delivering additional kilowatts of electricity to Southern Company customers anywhere in the company’s service area; then, as electricity demand rises or falls at points throughout the system, Early Bird transmits â€Å"raise† or â€Å"lower† impulses to the company’s generating units and routes the correct amount of electricity along the most economical transmission path to the end user. Periodically, Southern Company engineers test the operating efficiency of every piece of power-generating equipment the company has in service. The purpose of the test is to determine how much fuel, labor, and other variable inputs are required to produce electricity with that unit and, subsequently, to calculate a production function for that generating unit. Experience has shown that revised production function equations must be calculated from time to time because normal wear and tear, maintenance problems, and mechanical efficiency vary over time and from generator to generator, depending on who manufactured it, when it was purchased, how long it has been in service, and the reliability with which it has performed. In other words, the production function for a given generating unit shifts by sufficiently large amounts over time to make it worthwhile to update the input-output equation. The equations for the production functions of each generating unit are then fed into Early Bird and combined with information as to fuel prices, wage rates, and other variable input prices to obtain marginal cost functions; from these, MC values can be calculated for a particular generating unit at whatever rate it is being operated. In addition, because there is a loss of electricity in the course of â€Å"shipping† it through the transmission wires, Southern engineers make studies to determine the transmission loss coefficients from generating units to distribution substations. These, too, have to be updated several times a year since the transmission loss depends not only on the distance factor but also on the varying load characteristics of the system and changes in the transmission grid. The marginal cost equations, together with the transmission loss coefficients, are the nucleus for Early Bird’s control of power generation and transmission. When, during the course of a day, the demand for electricity picks up, the Early Bird system is programmed to compare the marginal costs of generation at each on-line unit and then to send impulses to raise the electricity output of the unit (or units) where MC is lowest. Simultaneously, another Early Bird program analyzes the transmission loss coefficients to calculate how best to allocate the increased load on the transmission grid so as to minimize transmission loss to the many substations and end-user locations. In similar fashion, when electricity demand falls off (as work shifts end and businesses close at the end of the day), the Early Bird system automatically sends impulses to reduce electricity generation at those power units where MC is highest and reroutes the remaining load to maintain maximum transmission economy and load-generation balance. At periods of peak demand, when on-line generating units are already operating at or near their minimum cost points, and assuming that water levels in Southern’s dam reservoirs are ample, Early Bird sends impulses to Southern’s hydroelectric facilities to open the gates and generate enough power to get across the peak. Southern’s power system control center is also equipped to forecast short-term loads for the next hour, day, or week. For example, weather data from all round Southern’s four-state service area are fed into the Early Bird network several times a day to help forecast heating and air-conditioning loads. The hourly, daily, and weekly Early Bird forecasts of upcoming load demands are used to preplan the mix of generating units to put on line and those to put on standby, to schedule maintenance, and to determine whether to exchange blocks of electricity with neighboring utilities. For instance, approximately 15 minutes prior to the beginning of an hour, Early Bird calculations as to the next hour’s generating and transmission costs are made; this information is then compared immediately with similar information obtained from adjoining utilities having interconnections with Southern’s transmission network. If it is determined that it would be more economical for Southern to buy a â€Å"block† of electricity from an adjacent company than to generate the electricity needed itself (because at the forecasted generating rates the other company will have lower MC than Southern), then an order is placed for that unit at a price set forth in the interchange agreement between the two companies. On the other hand, if Southern’s marginal costs are lower than those of its neighbors, then it may agree to sell a block. The exchange of electricity among interconnected companies based upon marginal cost calculations is common throughout the electric utility industry. As bigger and faster computers have become available, the functions of the Early Bird system have been expanded to permit. 1. Reductions in unnecessary â€Å"load-chasing,† with resultant savings on maintenance; 2. Monitoring the current operating status of generating units, line flows, voltages, station breakers, and switches as a basis for assessing the prevailing degree of security (reliability) within the system: . Altering the dispatch criteria to allow for reducing power output at a particular facility because of unexpected air or thermal pollution, yet doing so in a way which entails the least increased costs to the system; 4. Operating hydro, steam, combustion, and nuclear generating units in a mix which seeks to minimize fuel costs; and 5. Monitoring temperatures, oil pressures, stream flows, and so on at unattended hydro stations to give early notification of potential troubles.

Saturday, January 4, 2020

AB Bank Limited - Free Essay Example

Sample details Pages: 3 Words: 1049 Downloads: 8 Date added: 2017/06/26 Category Business Essay Type Compare and contrast essay Level High school Tags: Government Essay Money Essay Did you like this example? AB Bank Limited, the first private sector bank under Joint Venture with Dubai Bank Limited, UAE incorporated in Bangladesh on 31st December 1981 and started its operation with effect from April 12, 1982. VISION STATEMENT To be the trendsetter for innovative banking with excellence perfection MISSION STATEMENT To be the best performing bank in the country Internal sources Owners savings: The owner of a business normally has to use their own particular funds to start a business. This is for the reason that banks may not be enthusiastic to take a risk and finance in them. Don’t waste time! Our writers will create an original "AB Bank Limited" essay for you Create order Thus, they use their personal savings to start a new business. Capital from profits: Once an organization has started operating it may be able to invest the money that it makes as profit back in the business. This means that even better profits may be made in the forthcoming. Working capital: This is a method of source the day to day money needed to pay the bills for the company to continue trading. Working capital is the current assets of the business minus its current liabilities. Sales of fixed assets: Fixed resourcesenable theirpossessorto carry on its procedures by selling their assets which is not needed in the company anymore to start a new venture. External sources Banks: An institution  approved  by a  government to accept  deposits, pay  interest, make loans, clear checks,  act as an  intercessor  in  financial transactions, and  deliver  other  financial services to its consumers. Building societies: A  supportive  whose  par ticipants their capitals in order to  offer  commercial  and  loaning  services, such as  mortgages. It is similar to a  bank  or  credit union. Hire purchase: A method of  obtaining  something by  giving  an  amount  regularly at the end of each  month. Leasing: A legal deed outlining the standings under which one party agrees to lease possessions from another party. Both the lessee and the lessor must maintain the terms of the contract for the lease to stay effective. Venture capitalists: An investor who makes money obtainable for inventive plans. Factoring: A supporting way in which an industry owner trades accounts receivable at a discount to a third-party funding source to increase money. Share Issues: The total of a businesss  shares that are  held  by  stockholders. A  company  can, at any period, issue  new stocks up to the full amount  of  sanction share capital. Friends or family: When a company is in need of financial resources they might lend it from a friend or from a family member to solve the financial needs. Government grants: A public  support  offered to a  recipient  for organizationor personal purposes. The subsidy is not expected to be paid back. The  grant  offering typically includes terms and  conditions  that must be met, such as  recording  performance  or  results. Internal sources Owner savings Advantages: Acquisition costs are slight. Wonà ¢Ã¢â€š ¬Ã¢â€ž ¢t be paying interest. Owner savings Disadvantages: You could lose it all. Loss of personal assets. Capital from profits Advantage: Such as money increase profit increases. No interest is payable. Disadvantage: Opportunity cost. Have to stand all the losses if the business be unsuccessful. Working capital Advantage: Easy to calculate as less amount of capital used. Can find the liquidity periods of the business. Disadvantage: Under the best conditions reduced working capital may lead to financial pressure on the company. Will affect the goodwill due to not paid on time. Sales of fixed asset Advantage: Fixed asset. Disadvantage: Profit becomes less. External sources: Bank Advantage: Provide high safety. Disadvantage: Interest rate is high. Limited time to pay. Building societies Advantage: Low level of interest. Loan get fast relatively than bank. Disadvantage: Not so safe compare to bank. Interest have to be paid. Hire purchase Advantage: Use present equipment instantly. Payment are paid certain period of time. Disadvantage: Be unsuccessful to pay the payment due to ownership will be terminate. Leasing Advantage: Expenditure of current equipment immediately. Payments are spread over a period of time which is good for budgeting. Disadvantages: Payment is expensive. The asset be appropriate to the finance company. Venture capitalists: Advantage: Owner of a shares. Small volume of investment to get profit. Disadvantage: High possibility as a first-hand investor. Have to tolerate all the losses. Factoring Advantages: Buying the other businesss credit. Disadvantages: To pay the entire profit to the other factoring company. Share issue Advantage: Increase of the business. Huge quantity of capital join together. Disadvantage: Companys decision receiving in public. Have to pay dividend. Friends and family Advantage: Lower rate of interest. Without interest and no mortgages. Disadvantages: Cut off relationship. Government grants Advantages: Dont have to be repaid. Disadvantages: From top to bottom rules and regulation. Government contribution in business. AB Bank Limited: Internal sources Capital from profit: AB Bank Limited uses their capital to increase their profit and gather more profit for their workers. Working capital: AB Bank Limited tangled up in demand payment from assets, then their working capital finance solutions can help to release all important funds to help keep their business moving. Sales of fixed asset: AB Bank Limited sales their unwanted machineries where it take a huge space and maintenance in order to get latest technology machines for the betterment of their establishment. Bank: AB Bank Limiteds is a  commercial association  and a  commercial arbitrator  that accepts  deposits  and channels those deposits into  offering  activities, either in a straight line by loaning or meanderingly through  capital markets. A bank associates together clients that have capital insufficienci es and clients with capital overages. Leasing: AB Bank Limiteds runs equipment let services and focuses in small to mid-size businesses. Hire purchase: AB Bank Limited have a legal term for an agreement, in which a customer decides to pay for things in amounts or a proportion over a number of months. Share issues: AB Bank Limited have their share holder where they established funds to increase and also pay alienated conferring to the shares holders. Government Grants: Government grants are non-repayable moneys  distributed  by one party often a government unit, conglomerate, or a nonprofit entity, scholastic institute, corporate or a singular. References AB Bank Limited. 1982.ab bank bd. [ONLINE] Available at:https://abbl.com/index.html. [Accessed 27 February 14]. AB Bank Limited. 1982.ab bank mission and vision. [ONLINE] Available at:https://abbl.com/vision-mission.html. [Accessed 27 February 14]. Book: Catherine Richards (2010), BTEC National Busines s Level 3, UK

Friday, December 27, 2019

Musical Essay Online For Free - Free Essay Example

Sample details Pages: 8 Words: 2391 Downloads: 5 Date added: 2017/06/26 Category Music Essay Type Essay any type Did you like this example? The nature of musical communication and the framework of thought, feeling and behaviour within which this communication takes place. Musical communication is commonly associated with place or location; for instance a piece of music will often bring about a flood of memories recalling the place the piece was heard, perhaps the people in whose company the time listening to the piece was spent and certainly the mood of the piece. A piano recital is the cultural event we will focus on, using specific examples of piano recitals held around the world, drawing on reports about those recitals from performers and audience alike. The framework of thought, feeling and behaviour which takes place at a piano recital is different from any other cultural environment, primarily because it the most special and intimate of instruments, one which connects the player with the listener in intimate and unmediated communication, in a pure communicative act. The piano is an instrument which evokes extraordinary passion, requires considerable dedication and patience, together with skill and flair to bring about a perfect percussiv e performance. There are a number of key players in a piano recital, not least the composer who communicates his art to the pianist and onwards, through the instrument, to an audience. The composer is the translator of musical ideas into a symbolic form, usually the twelve semi-tone scale on a musical stave. The standard Western musical notation is a treble clef and a bass clef. Each note can be between lines or on a line and the piece is given a time signature denoting the rhythm of the music. Other symbols signify changes in tone, pace, volume and feeling. The behaviour of the player is also communicated from the composer to the pianist using symbols, including Italianate adjectives, although with more modern piano pieces the Italianate is often replaced with words from the composers usual vocabulary. Examples include piano, meaning quiet and forte, meaning loud. The nature of this communication is symbolic, or in the words of Roland Barthes, the literary critic, semiot ic Barthes (Barthes 1977) views semiology as underlying all communication, an empire of the signs that extends over film and photography, music criticism and reading and writing as historically situated activities. He identifies two natures of music: There are two musics (at least so I have always thought): the music one listens to, the music one plays. These two musics are totally different arts, each with its own history, its own sociology, its own aesthetics, its own erotic; the same composer can be minor if you listen to him, tremendous if you play him (even badly) such as Schumann. (Barthes 1977, p. 149) We will employ this distinction between passive and active to our discussion of the piano recital, where passive music is the music we listen to and active music is the music we play. Schumann is the composer we will focus on when discussing the cultural event that is the piano recital. Robert Schumann was a significant figure in German musical romanticism. (Jensen 2001) Schumann specialised in writing lyrical piano music and songs, but also composed notable orchestral choral and chamber works. He literary output was motivated by his love of literature which informed his musical criticism and composition. He was forced to abandon his career as a pianist after critically damaging, with a strengthening device, a finger on his right hand. Schumann wrote piano works that were a linking of short sections, such as Kreisleriana and Carnaval. Linked together, these sections paid extreme attention to detail, forming an interlocking composition. A talented music journalist, he was editor on one of the most significant journals of his day, Die Neue Zeitschrift fà ¼r Musik. In 1840 he wrote over a hundred songs, a year that became known as his year of song, including the song cycles Dichterliebe and Liederkreise. Schumann suffered from depression and mental instability as a result of syphilis and died in an asylum. Schumann believed tha t musical communication was under attack from virtuoso players who had little thought or feeling for music. His mission statement was given in his journal Die Neue Zeitschrift fà ¼r Musik, which, perhaps in spite of its name suggesting new music, promoted music proven by history music which had withstood the test of time. His era saw the rise of piano virtuosity from players who wanted to become celebrities in their own right without recognition of whose music it was they played, going so far as to compose pieces without thought about the framework of the musical communication, preferring technical complexities over clearly communicated music. Their ignorance of the thought, feeling and behaviour of composers, said Schumann, was philistine. He thus founded the Davids bà ¼ndler, or League of David, named after the biblical King David, who composed music, wrote poetry and slew the Philistines. Barthes speaks of piano recitals as an active form of music that has declined in practice to almost extinction where the piano has been forsaken for the guitar recital: The music one plays has disappeared; initially the province of the idle (aristocratic) class, it lapsed into an insipid social rite with the coming of the democracy of the bourgeoisie (the piano, the young lady, the drawing room, the nocturne) and then faded out altogether (who plays the piano today?). To find practical music in the West, one has now to look to another public, another repertoire, another instrument (the young generation, vocal music, the guitar). (Barthes1977, p. 149) Barthes interest in the piano recital as a cultural event for a particular social grouping, the bourgeoisie, is part of his semiotic history, analysable through the distinction between active and passive: Two roles appeared in succession, first that of the performer, the interpreter to whom the bourgeois public (though still able itself to play a little the whole history of the piano) delegat ed its playing, then that of the (passive) amateur, who listens to music without being able to play (the gramophone takes the place of the piano). (Barthes 1977, p. 163) We muster cognise that Barthes is writing from a French point of view and that his critique of the piano recital as bourgeois is not necessarily relevant to our discussion of the piano recital as an event instructive for an analysis of the nature of musical communication, although it does give some behavioural insights of the social roles of the performer and the audience at a cultural event, despite its over-politicisation of the framework within communication occurs. There is something more peculiar about Barthes role in the study of culture, namely that whenever a term is difficult to define, translators forget their native English tongue, as in this example, again discussing the piano: The melody succumbed to its salon image, this being a little the ridiculous form of its class origin. Mass go od music (records, radio) has left it behind, preferring either the more pathetic orchestra (success of Mahler) or less bourgeois instruments than the piano (harpsichord, trumpet). (Barthes 1977, p. 187) This is not biased criticism: the death of the French language is acknowledged by Barthes himself, therefore it seems right for us to acknowledge his language together with his semiotics as being nothing more than an exercise in textual ambiguity and irony. (Barthes 1977, pp. 187 188) The melody is not significant for the history of the piano recital and is perhaps more relevant to another form of musical communication, such as the voice, however. From Barthes we do have one definable framework within which musical communication takes place: the political. What Barthes shows is that the nature of music is to some degree governed by the environment in which it takes place, namely the background and political situations of the participants, who in the case of the piano rec ital are, according to Barthes, middle class. As a descriptive fact, the piano player and the passive audience will behave according to certain middle class conventions or thought or feeling, though what such middle class behaviour might be is not discussed by Barthes, who confines himself to semiological vagueness. How is culture to be evaluated ? According to its origin? Bourgeois. Its finality? Bourgeois again. According to dialectics? Although bourgeois, this does contain progressive elements; every one of them bourgeoisified. There are some who finally prefer to give up the problem, to dismiss all culture. (Barthes1977, p. 211). If piano recitals are to be dismissed as culture, then we would be obliged to reject Barthesian discourse as overly polemicized, concerned overly with the political and insufficiently with the communicative, because the music of the piano is not bourgeois. Far from it, as Schumann argued, the piano is an instrument through which thoug ht, feeling and behaviour can be transmitted; and although Schumann was not completely apolitical, his compositions must be musical first and foremost. Musical events such as a piano recital have a specific format. Firstly the audience is seated in front of stage upon which there is a piano. The stage marks the boundary between the active musician and the listeners, who with their programmes know the pieces that will be played, before the recital starts. Secondly, the pieces (whether they are by Schumann or another composer) are performed. Finally, the passive element joins the active element during applause, concluding the event. Musical communication can take the form of quoting ideas from previous musical compositions in new ones. Schumann borrowed from Beethoven, Clara Wieck, and other composers. For the cultural event that is the piano recital, this is the nature of musical communication, because it is history and allows us to place Schumann, or other composers of p iano music, in historical context. Continuing with the example of Robert Schumann, we can say that Schumann borrowed from Beethoven because he came afterwards. Schumann built upon the musical framework left behind by Beethoven in the piano recitals Schumann attended, so much so that he could incorporate Beethovenian thoughts, feelings and behaviour into his own compositions. Amore prosaic framework of musical communication is the biographical context of Robert Schumanns life. Schumann was born in 1810 and died at the age of 46, in1856. He was a major figure in German musical romanticism, amongst the leading composers of his day, whose communications are highly regarded. The descriptive term of the time was Neu-Romantisch, or Neo-Romantic, the earlier Romanticism being associated with composers of Beethovens period. We should not try to define the meanings of feeling, thought or behaviour within a discussion of German Romanticism. The movement is its own framework, with Schum ann at its editorial front, writing for the Davids bà ¼ndler. Piano music is its own form of musical communication. The music played at a recital is not only a communication from the composer to the audience; it is also a communication of the ideas behind the music, such as in Schumanns case from Beethoven, to the audience. An educated audience will be able to hear these audible messages. The programme notes may even identify an idea to the audience explicitly, for instance in a performance of Carnaval, where the final section is March of the Davids bà ¼ndler against the Philistines. Similarly there is a quotation of a musical theme, also in Carnaval, called Papillons. (Jensen 2001, p. 83) The mood of the piece Carnaval is quixotic, a description that may also be used of Schumanns nature, because he loved to incorporate cryptic communication within his compositions. For instance, Schumann received the idea for the musical mottos that serve as the basis of Carnaval from the name of the home town, Asch, of a female correspondent. (Jensen 2001, p. 119) There are three combinations of Asch possible, in musical notation: S, C, H, A; AS,C, H; A, S, C, H. All but two of the twenty-one compositions that make up Carnaval use the latter two, which from the German musical system transcribe to the notes A flat, C, B, or A, E flat, C, B. Schumann decided to call the mottos Sphinxes. (Jensen 2001, p. 150) Each of the pieces comprises a musical representation of a masked ball during carnival season. Jensen describes Schumanns behaviour laconically and contradictorily: It says much about Schumanns naivete that he was convinced the sphinxes in themselves would create something of a sensation and sales of the work as if there were widespread interest in such musical games. But for much of his life Schumann was fascinated by puzzles and ciphers, particularly if they could be applied to music. His interest in ciphers was one that was common to not a fe w writers andarti1sts associated with German Romanticism; Friedrich Schlegel, for example, described art as inner hieroglyphic writing. (Jensen 2001, p. 151, citing Dieckmann 1955, p. 311) We should recognise this relationship between codified musical communication and German Romanticism. It was shared by other writers: Schumanns interest in cipher, number symbolism, and musical/word puzzles is frequently encountered in his writings. [] Such an approach permitted him to add both mystery and extra musical significance to his works. [] An entire section of Aesthetics is devoted to the creation of secrets and hidden identities, all for the delight of the unravelling of little knots for the reader. (Jensen 2001,pp. 152 153, citing Richter 1973, p. 195) In conclusion, a framework of communication, we have shown, can be semiological, cryptic and political. Barthes semiological analysis of a piano recital tends towards the political, with his disdain for the bourgeoi s influencing his dislike of the politics of those attending piano recitals. If Schumann is played at a piano recital, there are semiological frameworks of musical communication derived from Schumanns interest in musical code. What is certain is that the historical context for each, the composer and the cultural analyst equally, is of paramount importance Without musical communication with Beethoven, Schubert would not have composed vastly different piano pieces, not to mention the pieces he composed for other instruments; and without a French social milieu Barthes might have had more tolerance for the piano recital as an excellent cultural event through which to investigate the nature of musical communication. As an event, the piano recital will generate a flood of memories for the active player and the passive audience, whose mood will be affected by the communication of thought, feeling and behaviour of the composer and by the music. Therefore historical is probably the bes t discussion of the specific type of cultural event that is the piano recital, because the music is historical, as is the event, and the environment. Don’t waste time! 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