The Silent Partner: A Canadianization Dilemma :: Film Movie Movies Canada Silent Partner Essays

The understood Partner A Canadianization quandary Works Cited MissingAs a student of Canadian have, I find great appreciation in films that work to culturally enrich Canadas movie screens. I feel that an honest portrayal of Canadian value and subtlety is beneficial not only by enhancing the credibility of Canadas film industry, but also by maintaining a voice for the customs held by the Canadian people. For these reasons, among others, it had perplex very easy for me to dislike Daryl Dukes 1978 film The Silent Partner. Based on the knowledge I had before sitting through numerous screenings of the film, I shew a challenge in making any concretely unconditional statements most it, or the state of Canadas film industry at the time. I asked myself about the effect this film had on Canadas film industry, wondering primarily if the films success in Canada - it won a total of 6 Canadian fritter Awards including dress hat feature and best director - came not from a poignant portraya l of Canadian culture, but rather from a Canadianization of the typical American thriller. I questioned the details of the films formation, the choices made about talent, and the credibility of the script, and still I found myself forcing out any positive review articles I might muster. As far as initiative impressions go, The Silent Partners was not promising. Perhaps now I must consider an alternate approach to understanding this film. Maybe my difficulty in pinpointing The Silent Partners positive attributes demonstrates to some extent my current narrow-mindedness on Hollywood-style pictures. I think its only fair to treat this film as an article of film criticism in order to accurately look at it within the context of a national cinema. And so, let us begin by looking for starting at the particulars of the Canadian film industry around the time The Silent Partner was released. Maybe afterwards, well be able to understand the implications of what audiences saw on that known Canadian screen I feel so emotionally bound to preserving. The code word for success in the late seventies was international appeal. In a time referred to as the tax-shelter boom, it was perceived by some that the Canadian film industry had given in. Demoralized by countless relatively empty-handed attempts at profitability and independence, Canadas feature film industry had finally succumbed to that old adage If you cant beat em, join em (Magder 169).The Silent Partner A Canadianization Dilemma Film Movie Movies Canada Silent Partner EssaysThe Silent Partner A Canadianization Dilemma Works Cited MissingAs a student of Canadian film, I find great appreciation in films that work to culturally enrich Canadas movie screens. I feel that an honest portrayal of Canadian values and culture is beneficial not only by enhancing the credibility of Canadas film industry, but also by maintaining a voice for the customs held by the Canadian people. For these reasons, among others, it had b ecome very easy for me to dislike Daryl Dukes 1978 film The Silent Partner. Based on the knowledge I had before sitting through numerous screenings of the film, I found a challenge in making any concretely positive statements about it, or the state of Canadas film industry at the time. I asked myself about the effect this film had on Canadas film industry, wondering primarily if the films success in Canada - it won a total of 6 Canadian Film Awards including best feature and best director - came not from a poignant portrayal of Canadian culture, but rather from a Canadianization of the typical American thriller. I questioned the details of the films formation, the choices made about talent, and the credibility of the script, and still I found myself forcing out any positive criticisms I might muster. As far as first impressions go, The Silent Partners was not promising. Perhaps now I must consider an alternate approach to understanding this film. Maybe my difficulty in pinpointing T he Silent Partners positive attributes demonstrates to some extent my current narrow-mindedness on Hollywood-style pictures. I think its only fair to treat this film as an article of film criticism in order to accurately look at it within the context of a national cinema. And so, let us begin by looking first at the particulars of the Canadian film industry around the time The Silent Partner was released. Maybe afterwards, well be able to understand the implications of what audiences saw on that illustrious Canadian screen I feel so emotionally bound to preserving. The code word for success in the late seventies was international appeal. In a time referred to as the tax-shelter boom, it was perceived by some that the Canadian film industry had given in. Demoralized by countless relatively unsuccessful attempts at profitability and independence, Canadas feature film industry had finally succumbed to that old adage If you cant beat em, join em (Magder 169).