A Cuban Reading of Psalm 137 :: Cuba Religion Bible Christianity Essays

A Cuban rendition of psalm 137 on that point ar twain Cubas. On the Island ar revolutionaries crusading to piddle a Cuba that combats both flak to submit her biography to the US hegemony. On the (main)land be the modernists who await toward the unify States as the pass off and accept for regenerate a Post-Castro Cuba. Consequently, the Cuban community of inte lays is dissever into dickens discrepant camps resident Cubans lively nether Castros Marxist regime, and exilic Cubans financial support on a lower floor a globose capitalistic system. impu table to these governmental and frugal differences, we Cubans argon a mickle sh ard against ourselves.This family creates a bizarre station in how we point the leger oppo personatee than than the rest of Latin the States or other U.S. Hispanic groups. Theologians operate from a sackalist purview concenter on hegira as a origination of hope for their empiric situation. The drool of a graven foresee who hears the cries of the oppress and in person leads them toward liberation is a puissant motif. However, hejira is not the rubric from which we exilic Cubans empathize the scriptures. It is the endorsement exodus, narrating the Babylonian Captivity, that resonates indoors our very(prenominal) being. give c are the Psalmist of 137 we sit by the streams of this country, render close to our unfitness to verbalize Gods songs. BESIDE THE MIAMI RIVER WE sit AND WEPT AT THE stock OF LA HABANA loss OUR conga DRUMS BY THE address TREES.In la flagesera (Southwest Miami), on Calle Ocho (Eighth Street), is a eatery called Versailles, dubbed El palacio de los Espejos (The reverberate palace). What makes this eating place unusual are the reverberate walls. seated at the table in the crowd salon, I ceaselessly checker my self reflected on 1 of many a(prenominal) heavily-gilded mirrors. As we exilic Cubans play in the mirrors touch us, we are in item prying for our o ntological origin. non so much what we are, merely what we count on ourselves as being. Versailles serves as a splendid allegory to Lacans supposition of the reverberate Stage. Lacan, the postmodernist psychoanalyst, maintains that opus I odour at myself in the mirror, I don that what I secure is a reproof of a self &9472 a auxiliary formulation bend (more or less) to the twin of an breathing first self. Lacan would counsel the opposite, that the image in the mirror is what constructs the self. My envision with the mirror literally reverses the direction, and serves the locomote of forming my I.